A panel for Adobe Premiere Pro Windows and Mac

Every clip on its own track.
Every track in sync.

Premiere Pro can line up your cameras and recorders by their sound, but only when each track holds one clip. Sync Stacker puts every clip on its own track, runs Synchronize for you, then closes the gaps and packs the timeline back down. One click.

From $2.99 a week, or $39.99 once.

A two-camera shoot with an audio recorder: ten clips, synced and packed onto two video and three audio tracks.

The problem

Synchronize is greyed out. Again.

Drag a shoot into a sequence and Premiere puts everything end to end on V1 and A1. Clip › Synchronize won't run until every clip sits on a track of its own, so before you can cut a single frame you're dragging clips up and down, one at a time.

Then the sync leaves minutes of empty timeline and a pile of half-empty tracks to clean up.

Sync Stacker does all of it in one click, inside Premiere Pro. No XML to export, no second app, no re-importing.

Before

1 video + 1 audio track

10 clips end to end, 1:00 long, Synchronize greyed out

After Run all

2 video + 3 audio tracks

Both cameras and the recorder in sync, 0:22 long, V1 and A1 targeted

How it works

Four steps. One button.

Run all does every step in order on the open sequence. Each step also has its own button, and each one is a single undo.

  1. 1 One clip per track

    Every video and audio clip moves to a new track of its own, at the same place in time. Targeting goes on for all tracks, which Synchronize needs.

  2. 2 Select all & Synchronize

    Sync Stacker selects every clip and opens Clip › Synchronize. With Run all it presses OK for you and waits until Premiere has lined the clips up by their audio.

  3. 3 Close gaps

    Removes the stretches where no track has any media, before the first clip and between takes. Every clip moves by the same amount, in whole frames, so nothing drifts.

  4. 4 Fewest tracks

    Packs the clips onto the smallest number of tracks with nothing overlapping, and removes the empty ones. Run all then targets V1 and A1, ready to cut.

Features

Built for real shoots

Premiere's own sync

The syncing is Premiere Pro's Synchronize, by audio. Your clips never leave the timeline.

Any number of cameras

Two cameras or ten, split files, one recorder or three. If it's in the sequence, it gets its own track.

Undo any step

Each step is one undo. Press Ctrl+Z, or Cmd+Z on a Mac, to take it back.

Keeps your sync

Closing gaps and packing tracks move clips together, snapped to whole frames. What's in sync stays in sync.

The fewest tracks possible

Packing always finds the smallest number of tracks, so a two-camera shoot ends up on two video tracks, not twenty.

Compact view

Shrink the panel to a row of icon buttons that fits under your timeline or in a corner.

Targeting in one click

Turn track targeting on or off for every track, or target only V1 and A1.

A log you can read

Every step says what it moved, and warns you when something needs a look, like a transition in the way.

Looks like Premiere

The panel follows Premiere's light or dark interface and docks anywhere in your workspace.

Made for

Any shoot with more than one camera

  • Interviews and podcastsTwo to four cameras and a recorder, synced before the coffee's cold.
  • Weddings and eventsHours of footage and split files from every camera.
  • Music and live showsEvery angle lined up with the board mix.
  • Action and 360 camerasHelmet cams, 360 cameras and an external mic in one pass.
  • Courses and tutorialsScreen recording, face cam and mic, matched.
  • DocumentaryRun-and-gun footage with no timecode.

Pricing

Pick a plan and sync your next shoot tonight

Every plan is a license for one computer, Mac or Windows. Move it to another computer whenever you like.

Weekly

For one project

$2.99per week

  • Every update while you're subscribed
  • 1 computer, Mac or Windows
  • Cancel anytime
Subscribe weekly

Monthly

For regular editing

$4.99per month

  • Every update while you're subscribed
  • 1 computer, Mac or Windows
  • Cancel anytime
Subscribe monthly

Best value

Yearly

$1.67 a month, save 66%

$19.99per year

  • Every update while you're subscribed
  • 1 computer, Mac or Windows
  • Cancel anytime
Subscribe yearly

One-time

Sync Stacker 3, yours to keep

$39.99once

  • Bug fixes for version 3
  • 1 computer, Mac or Windows
  • No renewals
Buy once

No free trial: the weekly plan is the cheapest way to try Sync Stacker on a real project, and you can cancel before it renews.

Prices in US dollars. Sales tax or VAT is added at checkout where it applies. Orders are handled by Polar, our reseller. Your license key arrives with the receipt. Need several computers? Buy a license for each, or email help@premieresync.com.

FAQ

Questions

Does Sync Stacker do the syncing itself?

The syncing is done by Premiere Pro's own Synchronize command, using the clips' audio. Sync Stacker does everything around it: it puts every clip on its own track so Synchronize can run, runs it for you, then closes the gaps and packs the tracks. If Premiere can match the sound, Sync Stacker gets you there in one click.

Why is Synchronize greyed out in Premiere Pro?

Synchronize only works when each selected clip is on a different track. A sequence with several clips on the same track, which is what you get when you drag a whole shoot in, leaves the command greyed out. Sync Stacker's first step fixes exactly that.

Do I need timecode or a clap?

No timecode needed. Synchronize compares the sound, so every clip needs usable audio; a camera's built-in microphone is enough. A clap or another sharp sound at the start helps, but it isn't required.

Which versions of Premiere Pro does it work with?

Adobe Premiere Pro 2021 (version 15.4) or later, on Windows 10 or 11, or on macOS 10.15 or later with Apple silicon or Intel. Sync Stacker is a panel: after installing it, open Window › Extensions › Sync Stacker and dock it wherever you like.

Will it change my media or my other sequences?

No. It only moves clips in the sequence that's open. Your media files, bins and other sequences aren't touched, and every step can be undone.

How does the license work?

Each license is for one computer. After you buy, your license key (it starts with SS-) is in the receipt email from Polar: its Access purchase button opens your customer portal with the key and the installers. Paste the key into the panel and click Activate. To switch computers, click License › Deactivate on this computer in the panel, or remove the old computer in the customer portal.

Why does my Mac ask for Accessibility permission?

To open Premiere's Clip › Synchronize and press OK in its dialog, Sync Stacker needs macOS to let Premiere Pro control the computer (Accessibility) and use System Events (Automation). macOS asks the first time you synchronize; allow both. Sync Stacker uses them for nothing else.

What do I get with the one-time license?

Sync Stacker 3 for one computer, yours to keep, with the bug-fix updates we release for version 3. New features after version 3 go to subscribers.

Can I cancel a subscription?

Yes, anytime in the customer portal. Sync Stacker keeps working until the end of the period you've paid for, and you won't be charged again.

Is there a free trial or a refund?

There's no free trial, and all sales are final (see the refund policy). The weekly plan is there so you can try Sync Stacker on a real project for $2.99. Questions before you buy? Email help@premieresync.com.

Stop dragging clips between tracks.

Put Sync Stacker next to your timeline and sync the whole shoot in one click.